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    Comparing Disney and Warner Bros. Cartoons of the 1930s Through the 1960s

    Number of Pages: 5

     

    Summary of the research paper:

    In a paper consisting of five pages the cartoons produced by these two studios during this time period are contrasted and compared. Five sources are cited in the bibliography.

    Name of Research Paper File: LM1_TLCcrtun.rtf

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    cartoon creations that no other studio could come close to matching his intensity. While Warner Bros. produced admirable cartoons called Looney Tunes through the use of aesthetics, characterization, story  lines and ideological subtext, the student will find that there is little argument when it comes to comparing its final production to that of the celebrated Disney studios. Bibliography  lists 5 sources. TLCcrtun.rtf CARTOONS: COMPARING WARNER BROS. WITH DISNEY BETWEEN THE 1930s AND 1960s by (c) October 2001 --  properly! When comparing the cartoons produced by Warner Bros. and Disney studios in during the 1930s through 1960s golden age, the student  will find one significant difference: the element of fantasy. Clearly, Walt Disney instilled such a sense of fantasy within all his cartoon creations that no other studio could come  close to matching his intensity. While Warner Bros. produced admirable cartoons called Looney Tunes through the use of aesthetics, characterization, story lines and ideological subtext, the student will find  that there is little argument when it comes to comparing its final production to that of the celebrated Disney studios. "The classic Warner Bros. cartoons, with their emphasis on  bringing imaginative impossibilities to life, took animation in a totally new direction from the illusion of life motif fostered by Disney. How ironic - considering they started out as  a near-slavish Disney imitation" (Warner Bros. Cartoons). One can readily argue that a fundamental difference between the creative juices that flowed behind Warner Bros. and Disney studios was the  individual who provided artistic motivation; newly unemployed, ex-Disney animators Hugh Harman and Rudolf Ising borrowed what they learned from the master himself and applied it to what would become an 

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