In five pages this research paper incorporates the studies of Alex Kotlowitz in this consideration of child poverty and the impact of violence on them. Seven sources are cited in the bibliography.
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up in the crime and violence-ridden public housing projects of Chicago had already enacted a price. The Rivers brothers had already learned to adapt to a climate of violence. A
sharp noise would make them drop to the ground and search frantically for cover. They spoke to Kotlowitz about "if" they grew up, not "when" (1991). When Kotlowitz told
the boys mother, LaJoe, that he intended a book about the children in the projects, she commented that there were no children in the projects-these children had seen too much
to still be like other children. Kotlowitz immediately appreciated the significance of this statement, and his research shows it to be true. The children of the projects, and in
fact, many children who grow up in poverty, do not have what American culture pictures as childhood-a time of innocence, when caring adults shelter and nurture a growing child
from the harsh nature of reality, giving them emotional resources for their lives as adults. These children resemble-not other American children-but rather children who have been exposed to war zones,
because poverty is so frequently accompanied by violence. It is their exposure to constant danger that forms the overarching characteristic of their environment. Both of the Rivers brothers have
regularly seen their friends and relatives die from simply being in the wrong place at the wrong time-i.e., in the path of a bullet. Kotlowitz describes how Lafayette attended
the funeral of a close friend without shedding a tear. However, this outward calm is deceptive and not in the least indicative of the boys emotional state. He seemed untouched
because children in war zones cant afford to be open about their emotions. Its simply too exhausting because if they reacted in this manner, grief would become practically a daily