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    Determinism v. Free Will, Good v. Evil in Zadig L'Ingenu by Voltaire

    Number of Pages: 5

     

    Summary of the research paper:

    This paper analyzes these thematic conflicts presented by Voltaire in Zadig L'Ingenu in five pages. There is no bibliography included.

    Name of Research Paper File: LM1_TLCVoltL.rtf

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    Unformatted Sample Text from the Research Paper:
    reach many esoteric and spiritual levels throughout the pages of Zadig LIngenu. The protagonists constant setbacks toward finding love and happiness serve as stepping stones to Zadigs more solid  character, in spite of how mankind perpetuates the struggle between good and evil as a means by which to impede upon his progress. Human beings have been striving to  achieve Utopian status ever since Adam and Eve were stricken from the Garden of Eden, a concept that is clearly brought to light through Zadigs character; whether or he is  meant to achieve such status through free will or determinism is something the author projects for pensive consideration. Literary history demonstrates that good  and evil do not exist merely in people who are good or evil but rather as abstract forces battling within them. As a direct result, readers of such works  find few characters who can be called good or evil, with particular emphasis upon Voltaires Zadig LIngenu. A relevant phrase in literature that relates to the overall concept of  characteristic theme is that of the human condition, which refers -- quite logically -- to the definition of being human. Analyzing the notion of good and evil within Zadigs  character, one finds that the human condition is a regular consideration, insofar as humanity is constantly in question: Is Man strong or weak, good or evil, redeemed or condemned, honorable  or chicken-hearted? The climate of the human condition is what spurs on Voltaires approach that delves deeply into the conscience of humanity.  The basis of characterization in Zadig LIngenu is symbolic of Voltaires intrinsic creativity and ability to see beyond the obvious. Characteristically reminiscent of the very essence of the authors 

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