In five page this paper examines the conflict between desire and a sense of duty that appeared in the romance between Tristan and Iseult as depicted in 1852 by Matthew Arnold.
Name of Research Paper File: D0_BBtrsaIs.doc
Unformatted Sample Text from the Research Paper:
as well as Mark, Tristan and Iseult. Naturally the intensity of duty and desire must be equal to really add drama and poignancy to the mix.
This discussion will examine Mathew Arnolds version of Tristan and Iseult (1852). BBtrsIsa.doc THE ROMANCE OF TRISTAN AND ISEULT Written by B. Bryan Babcock for
the Paperstore, Inc., April 2001 Introduction The theme of the age-old story of Tristan and Iseut is that of duty versus desire. The classic version involves a love
triangle, one in which unplanned love occurs and challenges the existing love created by duty. This has been played out by Arthur, Guenevere, and Lancelot as well as
Mark, Tristan and Iseult. Naturally the intensity of duty and desire must be equal to really add drama and poignancy to the mix. Tristan and Iseult -
Mathew Arnold 1852 Although the format stays the same - lovers who shall never be untied, Arnold does add a touch more through Merlin and Vivian. Yet I believe
the verse which most naturally expresses the overall theme of romantic love is: "Iseult: Fear me not, I will be always
with thee; I will watch thee, tend thee, soothe thy pain; Sing thee tales of true, long-parted lovers, Joind at evening of their days
again. Tristram (replies):No, thou shalt not speak! I should be finding Something alterd in thy courtly tone. Sit--sit by me! I will think, weve
lived so In the green wood, all our lives, alone." Tristan has isolated himself from the court and now, has been ill and in fact, will not