• Research Paper on:
    Shakespeare’s Othello - Issues of Race

    Number of Pages: 8

     

    Summary of the research paper:

    This 8 page report discusses Shakespeare’s story of “the dark Moor,” his betrayal by Iago, his own self-doubt, and his eventual madness. The primary focus of the paper is the issue of race in the play. The writer points out that it is important to keep in mind that it is the depiction of human difference in “Othello” that is its defining characteristic, not the depiction of the differences in race. Bibliography lists 4 sources.

    Name of Research Paper File: D0_BWmoor.rtf

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    Unformatted Sample Text from the Research Paper:
    in considering the ways in which the play deals with passion and desire. The passions that drive the actions of Desdemona, Othello, and Iago are clouded with the issue they  deal with in terms of the constraints placed upon them by their societal status and constraints. While often glossed over in terms of literary criticism, not the least of  these issues is that of race. One of the reasons that "Othello" is one Shakespeares most interesting works is its narrative presentation of sociopolitical content as it provides a clear  outlook of the political, social and cultural boundaries of the Elizabethan age of exploration, a period marked by intense cross-cultural interaction. Questions Regarding Race  The period in which "Othello" was written reflects a time of great exploration and expansion into new worlds and new cultures. There has been some controversy among literary  historians and critics regarding Othellos ethnicity. And yet, there is no doubt concerning the racial identity of Aaron the Moor of "Titus Andronicus;" Aaron, corresponds easily to a clich?  version of black immorality, lust, and resentment (Tsomodo 1). However, it is important to understand that the typical white, English view  of dark-skinned people was based on the stereotypes perpetuated by the fact that most people they encountered with dark sin, very few though they were likely to be, were non-Christian,  most notably Jews and Moors. It was the non-Christian aspect that influenced the collective attitudes and thinking more than any issues about skin tone. "With respect to his handling  of race and colonial discourse in Othello, Shakespeares so-called challenges to his cultures every tenet are difficult to demonstrate when Othellos narrative circumscription within the dramatic text is viewed not 

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