In five pages this paper contrasts the naturalism of Theodore Dreiser's 'The Lost Phoebe' with the realism of Algernon Blackwood's 'The Empty House.' There are no other sources listed.
Name of Research Paper File: JR7_RAphoebe.rtf
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especially when offering us frightening tales. Through the use of naturalism or realism we are put in a position were we see, feel, and smell, and taste the conditions which
the characters are experiencing. In these respects the authors offer the reader a very sound and powerful foundation for understanding and experiencing a story. Such is clearly the case with
"The Empty House" by Algernon Blackwood and "The Lost Phoebe" by Theodore Dreiser. In the following paper we examine the principles of realism evident in Blackwoods story and then examine
the principles of naturalism in Dreisers tale. The paper then finishes with a brief discussion of how the two contrast. The Empty House The most powerful form of
realism found in Blackwoods story is that which pertains to the two characters. Shorthouse and Aunt Julia are two incredibly practical people who are very immersed in their position of
realism. While they are intrigued by the possibility of the haunted house, they are determined to first take a walk through the house and eliminate any possibility that someone real
may be in the house, a condition that would clearly explain any noises or events. These two individuals are determined that there is something perhaps very real, even if it
is mystical and unexplainable, in the house. They understand that they cannot necessarily see what is taking place, or truly put their fingers on the occurrences. But, they are also
aware of these things from a very realistic perspective. In better understanding the realism evident in the story we present the description of the history of the house offered
up by Aunt Julia: "The house is very old indeed, she went on, and the story-an unpleasant one-dates a long way back. It has to do with a murder committed