Smetana’s “Sarka,” Mozart’s Piano Concert #22, &
Schumann’s Symphony #3 : 5 pages in length. The three
composers, seemingly so different, shared a number of
characteristics. The three pieces of music are examined
(briefly), as is the life of the individual composers. Bibliography
lists 2 sources. 3Compose.wps

'Amadeus'/ The Movie : A 6 page discussion of the film
"Amadeus" -- highlighting based upon research-- which facts the
writer found to be inconsistent regarding Mozart's life and
Salieri. Bibliography lists 3 sources. Also can be categorized
under 'Music.' Amadeus.wps

Film Review / Amadeus : A 4 page essay reviewing and
analyzing the film Amadeus. In this version of Mozart's
biography, the story is told through a series of flashbacks as
perceived by Mozart's chief antagonist, Salieri. Salieri's hatred
and bitterness, which he harbors even after Mozart's death lead
to the destruction of both men. No additional sources cited.
Amad.wps

Vivaldi’s "Four Seasons" : Antonio Vivaldi wrote his baroque
concerto “Four Seasons” in the 18th century, during a period of
extended musical expressionism in Venice and throughout Italy.
This 3 page paper provides a concise overview of Four Seasons
and considers key elements such as composition, dynamics,
medium, form and overall impression. Bibliography lists 2
sources. Vivaldi.wps

Ravel’s “Bolero” : Maurice Ravel’s “Bolero” is believed to be
one of the most popular pieces of classical music that has ever
been written. In 3 pages, the writer of this paper provides an
analysis of Bolero that includes an overview of the type of
composition, the dynamics, tempo, melody, harmony, and an
overall impression. Bibliography lists 3 sources. Ravel.wps

Musical Influences Of The 18th Century : A 4 page essay on
how the music of the 18th century reflected the philosophical,
social and political climate of the time. The writer particularly
emphasizes how the music of Mozart reflected and perpetuated
this ideas of the Enlightenment. Bibliography lists 3 sources.
Moz18th.wps

Claude Debussy, Impressionist : An 11 page argumentative
essay supporting the idea that Debussy is properly called an
impressionist, rather than a symbolist. The paper discusses the
Preludes in relationship to this argument, including the points of
how Debussy utilized form to create new tonalities that
influenced the composers of this century. The paper also argues
the influences behind the tag "impressonionism" as it applies to
Debussy, including his love of impressionistic art and literature,
and other international musical genres. Bibliography lists 14
sources. Debussy.wps

Claude Debussy’s “Les Chansons de Bilitis” : A 12 page
paper that explores how Debussy uses dissonance in these songs
to bring about the various moods of the poem. In the course of
this discussion, the paper pays particular attention to the mood
of the music as it stems from the poem. Each chanson is
explored separately, followed by a discussion of how Debussy
applied general aesthetic and artistic ideals to this music.
Bibliography lists 4 sources. Debussy.wps

Darius Milhaud / Composer : A 5 page paper providing an
overview of the life and works of Darius Milhaud, one of the
most influential French composers of the 20th century. This
paper suggests that even in light of signficant physical
infirmities and social issues, Milhaud was still able to create
over 400 works, demonstrating both his complexity and
dedication to music. Bibliography lists 4 sources. Milhaud.wps

Composer / Scott Joplin -- The American Schubert :
A 5 page essay on the life and work of turn-of-the century
composer Scott Joplin which concentrates on his masterpiece,
the opera, “Treemonisha” which only received proper
recognition in 1976 when it won the Pulitzer Prize for music.
The writer discusses technical aspects of Joplin’s music, the
artistic progression of his career, and his influence on other
composers and forms of music. Bibliography included..
Joplin.wps

The Life & Works Of Clara Schumann : A 6 page essay on
the famous nineteenth century pianist detailing her
accomplishments and her famous relationship with her husband,
composer Robert Schumann. Bibliography lists 5 sources.
Clarasch.wps
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