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In a paper consisting of eight pages the various types of ballet are defined and examined along with several techniques as well as arms and feet positions. Four sources are cited in the bibliography.
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In eight pages the movement contained within the dance patterns of Bach's French suites are considered as they reflect the Baroque times in which they were composed. Eight sources are cited in the bibliography.
Merce Cunningham's life and dance philosophy that radically innovated dance to an evocative postmodernist expression are discussed in a paper consisting of 10 pages. Four sources are cited in the bibliography.
In ten pages this paper examines the life, choreography, and philosophy of Merce Cunningham. Eight sources are cited in the bibliography.
This paper addresses various historical aspects of performance art from the sixteenth century through the present day. This ten page paper has six sources listed in the bibliography.
In twelve pages postmodernism is defined with the emphasis being upon postmodern dance and the contributions of Merce Cunningham, Bill T. Jones, and Trisha Brown. Eight sources are cited in the bibliography.
The choreography of Antony Tudor's Lilac Garden is analyzed in terms of performance and structure in five pages.
This paper examines the career and achievements of Davies, a highly regarded dance director. The paper also features an interview and analysis two of her works, Wyoming and White Man Sleeps. This five page paper has seven sources listed in the bibliography.
In seven pages this paper discusses the cultural connection between language and dance. Eight sources are cited in the bibliography.
In five pages the unique life and style of Gelsey Kirkland is examined in a celebration of her many innovative contributions to contemporary ballet in America. Four sources are cited in the bibliography.
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