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The writer discusses the Open Theater Movement that took place in Argentina from 1981-1985, during which time plays were written and produced that were critical of the controlling military junta. The writer discusses several plays, but focuses on Oficial Primero by Carlos Samigliana. The paper is eight pages long and there are seven sources listed ...
Pages: 8
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In six pages this paper examines the acting method of Tadashi Suzuki and assesses its American and international impacts. Three sources are cited in the bibliography.
Pages: 6
In five pages the power struggle between Stanley Kowalski and Blanche Du Bois for Stella is examined. Four sources are cited in the bibliography and a one page outline is also included.
Pages: 5
In five pages this paper examines how political messages are delivered in the food symbolism used by Aristophanes in The Acharnians. Four sources are cited in the bibliography.
The influence of power and art on the play as conveyed through Giacomo Puccini's opera Madame Butterfly is analyzed in a paper consisting of 4 pages. The bibliography cites 1 source.
Pages: 4
In four pages multiculturalism is examined within the context of such theatrical productions as M Butterfly, Death of the Last Black Man in the Whole Entire World, and Raisin in the Sun. Three sources are cited in the bibliography.
In five pages this paper analyzes Amanda's role in The Glass Menagerie by Tennessee Williams in terms of its significance to the play. There are no other sources listed.
In five pages the male and female relationships in these plays are compared. There are no other sources cited.
In five pages this paper discusses how the concepts featured in Discipline and Punish The Birth of the Prison by Michel Foucault are featured in Miguel Pinero's play Short Eyes. Four sources are cited in the bibliography.
In five pages the way women have been historically portrayed by dramatists are discussed. Five sources are cited in the bibliography.
In six pages this paper examines how the play of children is metaphorically depicted in A Doll's House by Henrik Ibsen. Three sources are cited in the bibliography.
This paper discusses the life and times of Giuseppe Verdi in five pages and includes a contrast and comparison of his operas Don Carlo, La Traviata, and Aida. Seven sources are cited in the bibliography.
This essay of 3 pages examines the script and production, its details, and evaluates how successful the elements are in achieving its theatrical goal. There is 1 source listed in the bibliography.
Pages: 3
In five pages this paper discusses the differences between performance art and theater with an example of theater being the Broadway production of Beckett's Texts for Nothing as a 1 man show by Bill Irwin and a 1 woman puppet show being performance art. Four sources are cited in the bibliography.
In eleven pages this report discusses how Tennessee Williams' works are examples of postmodernism. Five sources are cited in the bibliography.
In eight pages this paper examines the contemporary theatrical director's role in an analysis of productions of Angels in America by Tony Kushner, Arcadia by Tom Stoppard, and Waiting for Godot by Samuel Beckett. Six sources are cited in the bibliography.
In five pages this paper analyzes the tragic personality of Ibsen's title protagonist.
In five pages this paper discusses Lessing's 5 act play in a consideration of his portrayal of the lack of tolerance demonstrated by a Hamburg cleric during the Enlightenment.
These two works are contrasted and compared in six pages with the desire for financial, emotional, and social success being the primary focus. There are no other sources listed.
In five pages this paper discusses the fantasy and realism imagery of Heartbreak House by G.B. Shaw. Six sources are cited in the bibliography.
In six pages this paper examines the 1985 play in terms of the playwright's resurrection of the 'suspension of disbelief' technique.
In five pages this life and death issues this play deals with are considered. Six sources are cited in the bibliography.
In eleven pages the objectives of improvisational theater are examined in a consideration of Louise Steinman, Anne Bogart, and Viola Spolin and their individual styles. Eight sources are cited in the bibliography.
Pages: 11
In five pages the artistic representation of three male friends in Reeza's work is examined. One source is listed in the bibliography.
In five pages fate's role in this tragic play by Sophocles is considered. There are three sources cited in the bibliography.
In twelve pages this report discusses the Irish cultural ambivalence as a result of British dominance that is featured in the play. Four sources are cited in the bibliography.
Pages: 12
This comparative analysis explores how Strindberg examines the theme of naturalism in three plays written in the 1880s. There are 6 sources included.
In six pages this paper discusses the comedies of wit and stereotypes that characterized the English 'restoration' of the seventeenth century with works of Vanbrugh, Congreve, Wycherly, and Etherege among those considered. One source is cited in the bibliography.
The ways in which dramatists have historically reflected women's roles are discussed in five pages. Five sources are cited in the bibliography.
In five pages this paper discusses who was responsible for writing Bertolt Brecht's plays. Four sources are cited in the bibliography.
In seven pages this research paper analyzes the modern drama genre and how this play by Giraudoux can be categorized as an example. Seven sources are cited in the bibliography.
Pages: 7
The Elephant Man play by Bernard Pomerance is examined with the social interaction of John Merrick being the primary focus in 5 pages. Three sources are cited in the bibliography.
Gender issues are the focus of this analysis of Euripides' Medea in a paper consisting of 5 pages with the social codes of the patriarchy and how they oppressed women among the topics of discussion. Five sources are cited in the bibliography.
Nora Helmer and Hedda Gabler are contrasted and compared in 5 pages in terms of life perceptions, relationships, intellect, and personality. Two sources are cited in the bibliography.
This research report looks at the community and how theater adds to it. Interventionist theater is discussed. This five page paper has five sources listed in the bibliography.
In five pages this report discusses the historical tragedy that was inspired by the ill fated czar of the late sixteenth and early seventeenth centuries. There are two bibliographic sources cited.
In five pages this paper examines how power is portrayed by Wilde in his poem 'The Ballad of Reading Gaol' and in the plays A Woman of No Importance and Lady Windemere's Fan. Seven sources are cited in the bibliography.
In six pages, this play is analyzed in terms of structure, genre, purpose, dialogue, themes, and movement. The play's significance and impact upon contemporary theater as well as how it was critically reviewed and reviled by feminists are also discussed. Nine sources are cited in the bibliography.
This 5 page essay reviews the theme of conviction in A Man For All Seasons. 3 sources are listed.
This paper addresses various historical aspects of performance art from the sixteenth century through the present day. This ten page paper has six sources listed in the bibliography.
Pages: 10
In eight pages this paper considers how performance art features humor. There is 1 visual included and six sources are cited in the bibliography.
In five pages this paper analyzes this 1831 opera and its remarkably dramatic tonal characteristics.
The way in which justice is represented throughout the tragedy is examined in this paper that consists of eight pages. Five sources are cited in the bibliography.
In five pages this paper analyzes how in Rosencrantz and Guilderstern Tom Stoppard develops destiny and futility themes. There are no other sources listed.
In five pages this paper analyzes how setting is philosophically used in this drama by Norwegian playwright Henrik Ibsen. Five soruces are cited in the bibliography.
In five pages Burke's pentid model is used to analyze the play's themes of class, gender, and race. Four sources are cited in the bibliography.
In seven pages this paper discusses the placement of Gotterdammerung's Act I, Scene III as it fits into the epic scheme of 'Ring of the Nibelung' by Richard Wagner. One source is cited in the bibliography.
In five pages this paper examines how within her award winning play Lorraine Hansberry makes the most of the symbolism literary device.
In five pages this 1 act play by Terence McNally is examined in a consideration of bereavement, acceptance, and denial. Four sources are cited in the bibliography.
In a paper consisting of five pages the playwright's life is discussed and then his play is examined in order to determine that 'Uncle Vanya' is the play's most likeable character. Three other sources are cited in the bibliography.
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