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A 3 page research paper/essay that discusses this topic Bibliography lists 3 sources.
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A 4 page research paper that describes and analyzes Sesshu's "Landscape of the Four Seasons" (Japanese, fifteenth century) and Fra Andrea Pozzo's "Glorification of Saint Ignatius" (Italian, seventeenth century). The writer also uses tutorial language to advise the student on conducting further research. Bibliography lists 3 sources.
In 5 pages this paper studies these dramatic colorists in order to determine the value of color in terms of visual learning for career improvement and individual satisfaction. Further investigation traces the place of these artists in the history of exploring color and the implications on potential work environments, psychological studies, and creative studies. ...
In ten pages this paper examines the architectural accomplishment the Vietnam Memorial and its architect Maya Lin. Six sources are cited in an annotated bibliography.
In twenty one pages this paper considers the methodological approaches to take for an analysis of the works of Caravaggio. Twenty sources are cited in the bibliography.
In six pages this painting on display at the Los Angeles County Museum of Art is examined in a visual and historical analysis. Three sources are cited in the bibliography.
This paper examines the life and paintings of Wassily Kandinsky in seven pages in an overview that includes his methodology and painting motivations among other topics of relevance. Three sources are cited in the bibliography.
This research paper/essay describes the career of Edouard Manet and the role he played in ushering in Impressionism as a major art form. The writer focuses on a detailed descriptive analysis of "A Bar at the Folies-Bergere" to prove the points made in this argument. Eight pages in length, five sources are cited.
In four pages the timeless emotion evoked by this 1893 Munch masterpiece is the focus of this reactive analysis. Three sources are cited in the bibliography.
In five pages this paper compares the Colossus of Ramses II in a late antiquity traveler's view of the Column of Trajan. Three sources are cited in the bibliography.
This paper discusses early modern Europe's women with the focus being a biographical profile of Elisabeth Sophie Cheron consisting of seven pages. Three sources are cited in the bibliography.
In seven pages this infamous work of art is examined in terms of its impact and how it forever changed the history of art. Eight sources are cited in the bibliography.
In seven pages this paper examines Cheron's feminism and how she successfully overcame formidable gender prejudice. Three sources are cited in the bibliography.
In five pages this paper compares and contrasts Carracci's Bean Eater with Stuart's Ann Penn Allen. Five sources are cited in the bibliography.
This paper explores Cole's Dream of Arcadia and Ernst's Time and Duration. This paper has five pages and four sources listed in the bibliography.
In five pages this paper discusses how the ideology and concept of Keith Haring's work can be interpreted as a mass media product. Three sources are listed in the bibliography.
In seven pages this paper discusses the love and passion themes represented by this late 19th century sculpture. Twelve sources are cited in the bibliography.
In eight pages El Greco is examined in terms of his personal and artistic influences and how his art proved influential. There is 1 visual and five sources cited in the bibliography.
In five pages these artistic works are compared in terms of their specific elements. There are no other sources listed.
This paper analyzes the ancient Venus de Milo sculpture The Sublime in five pages. Seven sources are cited in the bibliography.
In five pages this paper examines how the concepts of the Renaissance paved the way for contemporary ideas. Five sources are cited in the bibliography.
In a paper consisting of nine pages the work sometimes referred to as the 'Shaw' Madonna is examined in terms of description and critical scholarship. Two visuals are included and four sources are cited in the bibliography.
In six pages the continued fascination with these ancient Egyptian treasures is discussed. There are two visuals included and seven sources are cited in the bibliography.
In five pages this paper defines performance art in a consideration of such artists as Yoko Ono, Adrian Piper, Vito Acconci, Carolee Schneeman, and Hannah Wilke. Six sources are cited in the bibliography.
In a paper that consists of five pages Barbara Hepworth's life and art are explored and a discussion of her relationship with sculptor Henry Moore is also included. Three sources are cited in the bibliography.
In five pages this paper examines naturalism and its impact upon the culture, art, and philosophy of the United States and Europe. Six sources are cited in the bibliography.
This paper consisting of fourteen pages examines the pioneering American costume jewelry designs of Miriam Haskell between the years of 1925 and 1960, discusses a history of costume jewelry as well as some specific Haskell pieces. There are eleven bibliographic sources cited.
In a paper of 5 pages, how the spiritual and as well as physical homes are reflected in van Ruisdael's Wheatfield and El Greco's Toledo are discussed. There are 3 sources and 2 visuals included in this paper and bibliography.(5 pp.) Throughout Europe, artists were once more relating to the bounty
In five pages the life and celebrity of fashion designer Halston are examined. Three sources are cited in the bibliography.
In nine pages the social and political backgrounds of these artistic periods are discussed along with differences and similarities with such artists as Corrado Giaquinto, Jakob Prandtauer, Johann Fischer von Erlach, Sir Joshua Reynolds, Francois Boucher, Sir John Vanbrugh, Louis Le Nain, Anthony van Dyck, Frans Hals, Diego Velazquez, and Artemisia Gentileschi mentioned. ...
In eleven pages this essay analyzes the Modernist movement influences upon artist Mark Rothko. Four sources are cited in the bibliography.
In eight pages this paper discusses contemporary art from the perspective of the artefact pathway with artwork examples provided. Six sources are listed in the bibliography.
In five pages this paper considers postmodern artists Philip Pearlstein and Cindy Sherman regarding this topic and also makes reference to 'Deconstructing Aesthetics' featured in The Re-Enchantment of Art by Suzi Gablik. There are 3 sources cited in the bibliography.
In five pages this paper examines the concepts contained within the 'Expression and Communication' essay that is featured in E.H. Gombrich's Meditations on a Hobby Horse. There are no other sources listed.
In five pages this artist's bust and how it relates to Thutmose's work overall are analyzed. Two sources are cited in the bibliography.
In five pages this paper compares Ingres's Comtesse DHaussonville portrait with Goya's portraits of Don Pedro, Duque De Osuna. Five sources are cited in the bibliography.
This paper consists of fourteen pages and examines the life and object studies of Joseph Cornell as they relate to fetishism and symbols of surrealism and dadaist movements. Twenty sources are cited in the bibliography.
In 16 pages Koolhaus's look as well as a review of the text S,M,L,XL and examples of his architecture and how it impacts modernism, globalization and links various disciplines are discussed. There are 7 bibliographic sources cited.
In five pages differences and similarities are compared and contrasted as far as the cultural settings, presentation, interpretation, symbolism, and construction of these statues as well as contemporary audiences' perspective are concerned. There are seven sources listed in the bibliography.
In fifteen pages the artistic variations that have existed in various cultures and time periods are discussed in terms of human impressions and perceptions. Twelve sources are cited in the bibliography.
In six pages the feminist elements in Gentileschi's art as reflected in this particular work are discussed. Five sources are cited in the bibliography.
In five pages Duncan Phillips and Arthur G. Dove are examined in terms of their patronizing and artistic relationship and how dealer Alfred Stieglitz was instrumental in this relationship. Eight sources are cited in the bibliography.
In a paper that consists of five pages the differences between Holland and the art produced in the Spanish Netherlands, Spain, and Italy in the seventeenth century are examined. Four sources are cited in the bibliography.
This paper analyzes the fabulous landscapes of Gainsborough and discusses them in relation to Eighteenth Century Britain and the domination and wealth that characterized it. This paper has six pages and three sources listed in the bibliography.
In eight pages Wright's home design and its unity with nature are considered. Sixteen sources are cited in the bibliography.
In five pages this paper discusses the differences between Renaissance Europe's concept of artists and the contemporary view. One source is listed in the bibliography.
In six pages this paper discusses the works of Joe Brainard and the artistic influence of Jackson Pollock in this examination of the 1960s' avant garde movement. Six sources are cited in the bibliography.
In five pages this illustrious designer is examined in terms of his training, innovations, contributions, philanthropic efforts, and role as an educator. Six sources are cited in the bibliography.
In six pages the life and art of influential artist Jackson Pollock are examined. Six sources are cited in the bibliography.
In twelve pages this paper examines the amazing life and work of feminist photojournalist Margaret Bourke White who refused to put down her camera until forced to by the ravages of Parkinson's disease. Six sources are cited in the bibliography.
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